get (it) together
selected works
opening reception:
saturday, june 14th 2025 | 5 pm- 9pm
the ohringer gallery | 640 braddock ave. | braddock, PA 15104
Chutes and Ladders, 2025
Oil on Canvas, 48 x 60
Branda C. Maholtz unveils her solo exhibition "get (it) together" at The Ohringer Gallery. This diverse showcase features a wide range of her work that invites serious contemplation but also explores a more lighthearted and humorous mood. Branda’s show is colorful, approachable and a little in your face with an examination of the inherent interconnectedness of shared life experiences and what influences us to gain awareness and feel present. Her work is a celebration of contextual references, be they landscapes or abstractions—both real and unreal, physical and emotional. She pushes boundaries but makes it accessible. The opening is free. The show runs through July 12, 2025. Private viewings by appointment.
Artist Statement
“Only Connect…”
—Epigraph from Howards End by EM Forster
I am interested in what’s unsaid but understood, the inherent interconnectedness of shared life experiences even between complete strangers, and what influences us to gain awareness and feel real and present when we envision ourselves through intro- or retrospection. My work is a celebration of contextual references, landscapes—both real and unreal, physical and emotional, that make up our lives.
As an artist and writer, I am interested in language and its various expressions—word choice, form, line, texture, color—and how communication is successful or potentially misinterpreted based on either my or the audience’s experience, each valid. I imagine the space between myself, the creator, and the canvas: that space is a poem written by myself and by the viewer. Many of my works have companion poems as an additional way to connect with my audience.
My work takes many forms—from landscapes based on memory images and abstracted flashes of color and vibrations that surge off the paper to figurative representations of found items and rocks. I am obsessed with the everyday object as a symbol or vessel for holding meaning and truth, giving the intangible energy and weight that you can hold in your hands or hold your gaze. Sometimes subtle, sometimes harsh or brash—the line or brush stroke is a connection from me to the viewer. Our collective or individual emotional states are unreal, an illusion. I attempt to elicit feeling and construct a sense of space where memories continue to live and evolve.
My own emotional vulnerability is offered for the taking—the last walk with a beloved pet, the grief of betrayal, love lost or gained, or the meaning found in what seemed so ordinary at first. In my work, I’m giving our feelings, and our experiences a collective sense of context or place for what only exists internally to become external and shared. I’m always trying to answer the question, “Where exactly does our emotion or experience live once it has happened?”
Mist Clearing in Elk County
or
Awakened to the Idea of Infinity and Desideratum: A Kiss for Each of My Loves on Their Cool Wet Lips. I Need You Now, I am Not Sure I Can Go On. (aka “Clay’s Obsession”), 2023
Oil on Canvas, 36 x 36
$2220
Recent Work